THE “ENTRE DEUX” COLLECTION
SUMMER 2026
I wanted to explore what the idea of couture could mean in the Chloé context.
A paradox for a house founded on the principles of democratic freedom and ease;
something that is not part of its core DNA. I wanted to push the boundaries of what
defines Chloé, expanding its language, taking it into new and unexplored territory
and looking at why and how Gaby Aghion founded Chloé.
“I started Chloé because I loved the idea of couture but found the concept a little out
of date – a little artificial. A thing of beauty and quality should be seen on women
in the streets.” Gaby Aghion
I liked the idea of going back to what Gaby Aghion rejected without betraying
the original DNA of the house. How could we create a considered but effortless
silhouette; retain structure but remain unconstrained; achieve form without rigidity?
At the Café Flore and Brasserie Lipp, the first Chloé collections in the late 1950s
were inspired by the silhouette of couture but did not rely on lining, padding or
boning. Instead, they were without formality or elitism. They had a lightness without
losing the element of craft, creating the perception of an “entre deux” collection –
something between couture and ready-to-wear.
So, I came back to something very personal for me – the instinctive gesture of
draping to form, volume and movement. Achieving an airiness through pleating,
knotting and wrapping. Spontaneous but precisely studied.
For me this became about merging the grandeur of couture inspired techniques
with the most ordinary of cotton poplins. Stripping back all but the essential
simple, “poor” fabrics and giving them shape through draping. Redrawing floral
archive prints from the 1950s and 1960s. Reworking outerwear archetypes in light
swathed cottons.
The decision to show in one of the conference rooms at UNESCO was intentional
and symbolic. It is a postmodern setting built in the era of Chloé’s earliest years.
A place that stands for open dialogue and exchange, freedom and openness.
A place that honors creativity in all its forms.
Love,
Chemena